We used platinum, gold and champagne colours and tons of jewellery to really bling her up. Read an in-depth analysis of Maleficent. Maleficent later frees him, and the first thing he does is burn his captors. Years later, another version yet of the same story was introduced to the world. The lookbook becomes a foundation for the costume department. The one that is most challenging is the one that is most interesting as well because it reveals her in a completely different silhouette than the one she wears in the rest of the film. With that in mind, we asked ourselves, what would a more modern fairy tale look like in a time period somewhere in medieval times, but bordering on the renaissance period, with a fresh spin on that? BACK TO PREMIUM Though early sketches depict a hag-like witch, it was decided that Maleficent's final, elegant design suited Earle's backgrounds. OG: Between 15 and 18. First, he asked me to write a short story for Tales of the Archives, Vol. JOIN PREMIUM Impossible Expectations for Black Women’s Bodies, 14 Black-Owned Activewear Brands to Invest In, In 2020, Holiday Traditions Matter More Than Ever, The Interior Decor Gift Guide from the Pros, Biden Picks Deb Haaland for Interior Secretary. Harper's BAZAAR participates in various affiliate marketing programs, which means we may get paid commissions on editorially chosen products purchased through our links to retailer sites. This is an officially licensed ©DISNEY costume. Maleficent soon undoes the dark magic in the Moors, restoring its former light and beauty. OG: The final one. This weekend, Maleficent’s second onscreen appearance will be the talk of the town. Picture: Disney. We never had the wings sticking out of her when we were filming. Angelina looks amazing and commanding! She gave us a lot of confidence and support so it was a joy to work on it with her. This dude is a costume designer for Maleficent and just joined HotD! Maleficent (2014) cast and crew credits, including actors, actresses, directors, writers and more. We just added a little bit extra to all the looks. And we had hair as well that we sort of draped and blocked around her body to create this Maleficent creature and we had implants, like the ones you see on her face—we used those elements on different parts of her body to accentuate that she's a creature. We used metal that we couldn't particularly use because in the script she gets burned by metal, so with a lot of metal jewelry, we had to cover it up with leather. We knew what was coming. Diaval is Maleficent's loyal servant, who, on her command, can take on different forms to suit her purposes. This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. A comparative Essay: The Story of Maleficent and Aurora Happily, ever After always have been the adapted culture Walt Disney studio displays through its screen. In Maleficent special effects are used greatly when Maleficent is flying. Flora. Maleficent is the strongest character … she needs to rise above everyone, never blend in and have her own unique silhouette and shape. Picture: Disney. Maleficent shows how we have evolved the ideas and themes that we can accurately portray to the audience through the use of film techniques. With the freedom to create a new era, we broadened our use of fabrications, different colourations and silhouettes. She was very enthusiastic, knowledgeable; she knows what she likes and what suits her. Working with the director, the actors and all the different artists involved in filmmaking, we conceive a theme about the overall film vision. You may be able to find more information about this and similar content at piano.io, Watch the First 'Coming 2 America' Trailer, Royal Outfits That Were Recreated on 'The Crown', 'The White Tiger' Is Coming for Netflix in 2021, Chris Pine Says Harry Styles Is a "Delight", Viola Davis on Her Late Costar Chadwick Boseman, Twitter Reacts to Chadwick Boseman's Final Film, The First 'Gossip Girl' Teaser Has Arrived, 'The Flight Attendant' Will Take Off for Season 2. I’d never worked in this genre, so it was quite attractive. It's more aggressive; there's a lot more black in it. Davis' decision to make Maleficent a po… I love how they captured the essence of both of them. Oliver Garcia: My role was to present ideas for a new direction for the design of Maleficent's character and then designing and overseeing the team of designers that I brought in for the look. The Guptas can’t hide from the world, Now that theatres are reopening, this is what the future of cinema will look like, Women’s month: Female owned business thrives during lockdown, 5 SA celebs with fashion and beauty brands, Court dismisses Brackenfell High School’s application against EFF, Covid-hit 2020: 15 sporting moments we won’t easily forget, New SA-China agreement creates opportunity for fruit exports, AfriForum loses court bid to reopen beaches, The Citizen e-edition/ print bundle subscription rates. Disney’s use of makeup sexualizes her character and “that excess of sexuality and agency is drawn as evil.” (Bell 117) Lastly, Maleficent’s animalistic appearance and her predatory nature can come across as sexual as well. Maleficent does all she can to protect Aurora by fighting Stefan. We put jewelry on the horns, jewelry on her head wraps. The accessories were important. Special effects play a large role in movies now a days to better the quality and understanding of the movie. OG: I think it's only the wings. Me, Manuel Albarran, and Justin Smith were the three creative minds, then we had the team that actually makes the things happen—they make and mold the jewelry, work the leather, and work with the hair. I have to say that I am very glad that they made Aurora look like a teenage girl, the Disney cartoon version was always a tad too mature and glamourous looking. In the original cartoon, she wore the ring, so we had to respect that but make it a little more modern. One day, she learns from three pixies, Knotgrass, Flittle and Thistlewit that a human peasant boy has been discovered in the Moors. Over the course of Aurora’s life, Maleficent grows to love her deeply—helping her regain her ability to love and have hope. Brooding Boy, Gentle Girl: Non-romantic, gender-flipped version, a bit understated by their frequent Snark to Snark Combats. Character Analysis. Her accessories start off as organic and evolve to include bone and gold, and eventually black diamonds and emeralds. However I can connote that the outfit is made from a silken material- silk is an icon of luxury, the location in this shot also supports this as it is in a palace which is very lavish. With the cloak that she wears before that costume, you don't see the animal that Maleficent is. ... By changing Maleficent 's costume from golden, natural materials and a soft looking face and hair to severe, black and demon looking and then back again, Stromberg makes the audience see that Maleficent is neither good nor evil but a combination of both. Everything was custom-made, even the shoes, in two-years time in London. Her horned look has become iconic, but it’s costume designer Ellen Mirojnick who should be thanked for the garb that will more than likely be everywhere come Halloween. I looked at a lot of contemporary fashion designers and a lot of designers that aren't actually big names—a lot of European and Eastern European designers that work with kind of the same materials that we were using, but don't have brands that are worldwide known. “Maleficent: Mistress of Evil” director Joachim Rønning and his team discuss the inspiration for Maleficent's dark fey world, and how backstory informed their designs OG: I did quite a lot of fashion research. The costumes, designs and make up for Maleficent and Aurora are outstanding. The style for Sleeping Beauty was based on the art of Eyvind Earle, who claimed to have a 'Pre-Renaissance' style, with strong vertical lines and gothic elegance. Stefan A childhood friend of Maleficent's who comes from the human kingdom. Maleficent embodies pure evil. The Sleeping Beauty story, one of the few chosen made a huge impact when Walt Disney gave life to the Brothers Grimm fairytale. The original music is done Ultimately it is Maleficent who saves Aurora from the curse when she kisses her on the forehead and it … (Supplied: Walt Disney Studios) From Sleeping Beauty. We had to work those elements in a more fashion way, rather than the traditional costume way. The silhouette stays the same throughout the film except when it comes to the end, which is where the real Maleficent comes out. ‘Maleficent: Mistress of Evil’. It reveals her body. We looked at a Japanese designer who does a lot of accessories and shoewear where she uses hair and horns, natural elements that she incorporates in her designs. OG: To be honest, we just did it. Maleficent is the brooding, bitter, angst-ridden Byronic Heroine and Diaval is … Her skin is very white, her lips are red and her body is silhouetted in a very strong shape. OG: She was pretty collaborative with all the ideas that we were putting forward to her. New SA-China agreement creates opportunity for fruit exports, Courts They From that, the director and other film artists could see what I was envisioning. Costume designer Ellen Mirojnick describes Angelia Jolie's Maleficent as iconic, the "black and white movie star" of a fairytale universe. Maleficent is iconic, so you continue that idea and raise the stakes. I researched art from many different eras, as well as contemporary fashion, and created a lookbook with images for all the characters in each of the different film segments. googletag.cmd = googletag.cmd || []; Courts Costume design is storytelling. SIGN OUT. My role is to bring the characters to life visually. The method of the data analysis is descriptive qualitative research. The other ones are a bit more magical because she is always covered. At the end of the film there is quite a dramatic scene. Costume Details: This classic Maleficent costume features a f ull length tunic style robe with jagged border and matching collar and foam headpiece. Over time he becomes consumed with his ambition. Everything we wanted to use we had to find a reason for it and think about why it's right for the character, then how we could adapt it in order to be able to use it so it wouldn't look too fashion and make it fit within a medieval film. She has a presence that is soft and strong at the same time. Oliver Garcia joined the Maleficent costume team after the design process had begun to inject new life into the aesthetic of the film. OG: The main goal was to inject a more contemporary design into the classical look that we had to stick to because of the original 1950s Maleficent. Shoes not included. OG: Yes, that was the whole thing—we had to stick to the iconic silhouette of the robe, cane and the horns. 1, "Dust on the Davenport," which went on to win the Steampunk Chronicle's Readers' Choice Award for Best Short Fiction in 2012; and second, he gave me… Then, she studied design at the School of Visual Arts and Parsons School of Design, becoming one of Hollywood’s top designers. Maleficent was born in an enchanted forest kingdom known as the Moors, bordering a human kingdom. We looked at painters, we looked at Alexander McQueen—a wide range of designers. It's more aggressive; there's a lot more black in it. With this page, students can work through the character of Maleficent piece-by-piece, thus creating a solid analysis of …